Historia de la 20th Century Fox

Martes, 25 de Enero de 2011

Géneros, Películas, Varios

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La Twentieth Century-Fox nace el 29 de mayo de 1935 por la fusión de dos sociedades de producción: la Fox Film Corporation, creada en 1915 por William Fox, y la Twentieth Century Pictures, fundada en 1933 por Joe Schenck y Darryl F. Zanuck.

Aunque la Fox estuvo a punto de quebrar a principios de los 30 (Fox intento absorber Loew´s tras la muerte de su fundador, pero fue demandada por el Departamento de Justicia acusada de violar las leyes antimonopolio) esta fusión hizo que los beneficios aumentaran casi hasta el mismo nivel que los de Paramount o Loew´s; en 1946 era la segunda en la industria. En esta unión la Fox aporta, esencialmente, su prestigio artístico: cuenta en sus filas grandes realizadores y actores, pues llegó a dominar la lista de las diez estrellas más importantes en la década de los 30. Tiene, además, una larga experiencia de la distribución y posee una extensa red de salas. Goza asimismo de una sólida implantación en Europa, a pesar de haber atravesado durante los años precedentes graves reveses financieros originados por las ambiciones de su fundador.

La muy joven Twentieth se beneficia, por su parte, del dinamismo de Darryl F. Zanuck, uno de los mejores jóvenes ejecutivos del cine estadounidense. Para Zanuck, inspirador del sello de la compañía, la eficacia de una película se basa en la calidad del guión, por lo que se intenta hacer con un gran plantel de guionistas. En cuanto a las estrellas, si en el año de su fundación, la Fox sólo cuenta con dos, Shirley Temple y Will Rogers, cinco años más tarde tiene ya un notable elenco en el que destacan Tyrone Power, Betty Grable y Don Ameche, a los que se añadirán Maureen O’Hara, Gregory Peck, Richard Widmark, Gene Tierney, Dana Andrews… Fortalecida con estos variados talentos, se afirma durante y después de la guerra en campos tan diversos como la comedia, el musical y el westerns. Sin embargo, su producción principal se basa en las películas negras.

En los años cincuenta, sufre, como el conjunto de los grandes productores, una serie de embates: aumento repentino de los gastos de producción, ley antitrust y boom de la televisión, que alteran radicalmente su fisonomía. En 1956 se marcha de Zanuck, lo que abre una nueva etapa en la historia de la firma en la que no se consigue restablecer el equilibrio financiero de la compañía. Durante el costoso e interminable rodaje de Cleopatra, los accionistas llaman a Zanuck, quien vuelve a tomar sus funciones presidenciales en 1962, pero fracasos repetidos originan una nueva crisis y Zanuck se retira definitivamente en 1969. En 1981 pasa a ser propiedad de un magnate del petróleo Marvin Davis que en1985, revende la mitad de sus participaciones a Rupert Murdoch.
Fuente: http://www.duiops.net/cine/control-de-la-produccion.html

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